Showing posts with label Regina Hall. Show all posts
Showing posts with label Regina Hall. Show all posts

Sunday, September 6, 2026

The Sheep Detectives


Director: Kyle Balda
Starring: Hugh Jackman, Nicholas Braun, Nicholas Galitzine, Molly Gordon, Hong Chau, Emma Thompson, Kobna Holdbrook-Smith, Conleth Hill, Julia Louis-Dreyfus, Bryan Cranston, Chris O' Dowd, Regina Hall, Patrick Stewart, Bella Ramsey, Rhys Darby, Brett Goldstein, Laraine Newman
Running Time: 109 min.
Rating: PG

★★★★ (out of ★★★★)    

With The Sheep Detectives, director Kyle Balda somehow manages to make everything look and seem effortless when the feat he accomplishes is anything but. You might even argue it's the most difficult genre to execute well given how few family films respect the audience's intelligence to such an extent. Pulling off multiple tricks at once, it's a heartwarming comedy, an emotionally stirring adventure, a meticulously plotted murder mystery, and a deep meditation on grief and loss all wrapped into a heartwarming, easily accessible package. 

As evident from its title, it stars a herd of CGI sheep in an era where digitized animals have taken over the big screen, often in negative ways. But this is a delightful exception, not just due the high quality of those  effects, but  because it's a story too enchanting for viewers to dismiss. The most obvious comparison is 1995's Babe, that little masterpiece about a courageous pig that won over critics and audiences on its way to earning multiple Oscar nominations. And this shares many of its best qualities, with acting, set design, costuming and cinematography all working in lockstep to transport us to this whimsical world comfortably situated somewhere between fantasy and reality.

Shepherd George Hardy (Hugh Jackman) resides in the small English village of Denbrook where he tends to his flock of sheep, reading them mystery novels he assumes they'll never understand. Except all of them can, hanging on his every word while they analyze clues, narrow down the suspects and eagerly wait to hear him reveal the ending the next morning. But when George is shockingly discovered dead outside his trailer, they can't process it, believing it's only something that happens in books. 

The sheep deal with this terrible news the only way they know how to cope with unpleasant thoughts, collectively agreeing to forget what happened to spare themselves the pain, even if that means forgetting George. But their plan doesn't work so well once Denbrook's sole police officer, the bumbling Tim Derry (Nicholas Braun), arrives on the scene, followed closely behind by eager reporter Eric Matthews (Nicholas Galzatine), who suspects foul play. 

Concluding George was poisoned, Tim turns his attention to a growing list of suspects, including the late shepherd's daughter Rebecca Hempstead (Molly Gordon), who arrives from the U.S. flanked by her dad's snarky legal advisor Lydia (Emma Thompson). Meanwhile, the lambs decide to investigate on their own, with crime expert Lily (Julia Louis-Dreyfuss), wise ram Mopple (Chris O' Dowd), the fluffy Cloud (Regina Hall), distinguished Sir Richfield (Patrick Stewart) and loner Sebastian (Bryan Cranston) putting their heads together and discovering more than they ever counted on.

The multiple sides of George are revealed over the course of the picture, with most coming to light after his mysterious murder. Initially, we get the impression he's viewed by the townsfolk as a cranky, isolated curmudgeon, even as the reasons for his prickly personality start to make more sense over the course of the investigation. He also has a protective soft spot for his sheep, which is glaringly evident in the brief amount of time we're privy to their bond. It's far more than a job to him, with the charismatic Jackman leaving an unforgettable impression that hangs in the air long after his character's murder.  

George does have enemies, most notably neighbor and fellow shepherd Caleb (Tosin Cole), with whom he's seen arguing the night of his death. He also this complicated relationship with estranged, guilt ridden daughter Molly, who's returned to settle his affairs following the killing. As for the sheep, their biggest adversary are themselves, for as intelligent as they are, they're not exactly independent thinkers, being sheep and all. And that's the mindset they struggle to break free from this entire time, realizing they owe it to George to get to the bottom of this, no matter how horrible it makes them feel.  

Lily assumes her investigative skills and reasoning are enough to crack the case, but she still has a lot to learn, most notably from the stoic Sebastian. Rescued from carnival fighting by George, he has a wealth of wisdom to share, particularly as it relates to the flock's poor treatment of a baby Winter Lamb (Tommy Birchall) who's ostracized and belittled for being different.  Of the many successful sub-plots, this one's the very best, sneaking up on you as the innocent youngster's plight continuously builds, eventually reaching an emotional catharsis that soon becomes inseparable from the central mystery. 

Despite dealing with such heavy, relatable themes, Craig Mazin's script (based on Leonie Swann's 2005 German novel, Three Bags Full) effectively retains the film's light hearted touch throughout. Even when catching the culprit soon becomes secondary to these sheep facing the painfully harsh truth that they'll have to face their loss head on. 

Zaniness ensues when the action shifts from the pasture to town for the reading of George's will, with the sheep keeping their eyes and ears open as an overwhelmed Tim clumsily navigates his first ever murder investigation in this idyllic countryside town. But Nicholas Braun's quirky, physical performance as this incompetent cop with a crush on the main suspect evolves as Tim slowly gains confidence, at least when he's not being verbally eviscerated by Thompson's salty character. 

A bespeckled, nearly unrecognizable Nicholas Galitzine's supporting turn as this goofy reporter looking to prove his mettle as a journalist should make audiences forget all about Masters of the Universe, if they haven't already. Sent to Denbrook to cover what ends up being a hilariously small "cultural festival," his Eric unexpectedly stumbles into an a far more intriguing story. 

In a lineup of colorful suspects who include innkeeper Beth (Hong Chau), the town's Reverend Hillcoate (Kobna Holbrook-Smith) and local butcher Ham (Conleth Hill), Rebecca tops the list due to her impending inheritance, Endearingly played by Molly Gordon as the likable girl-next-door, we don't want to believe she's guilty any more than Tim does, even when the evidence says otherwise. Regardless of screen time, all these characters are wonderfully sketched out, which goes double for the sheep who start causing a real ruckus the more directly involved in the case they become.  

Knives Out meets Paddington as Balda juggles all these seemingly disparate elements, culminating in a Columbo-inspired resolution straightforward enough for viewers not to notice amidst all the cleverly placed distractions. Invoking laughter and tears, it it ends on the perfect note, signing off with a moving final scene that sees a new book open, reinforcing how bad memories tend to make the good ones resonate even more.                                                 

Sunday, August 30, 2026

Scary Movie (2026)

Director: Michael Tiddes
Starring: Marlon Wayans, Shawn Wayans, Anna Faris, Regina Hall, Kenan Thompson, Dave Sheridan, Lochlyn Monro, Kim Wayans, Cheri Oteri, Chris Elliott, Damon Wayans Jr., Heidi Gardner, Olivia Rose Keegan, Cameron Scott Roberts, Savannah Lee Nassif, Sydney Park, Gregg Wayans, Benny Zielke, Ruby Snowber, Jon Abrahams, Deon Cole, Carmen Electra, Teyana Taylor, Kai Senet, Anthony Anderson, Shaquille O' Neal 
Running Time: 96 min.
Rating: R

★★½ (out of ★★★★) 

At least on paper, rebooting or requeling the Scary Movie franchise a little over a decade since its last installment isn't the worst idea in the world, especially given how many new horror films seem ripe for parody. And while there's minimal nostalgia to be found in reuniting a cast that starred in half a dozen of these already, the Wayans brothers do make good on their promise to temporarily resurrect the politically incorrect comedy with this entry. So regardless of how many jokes land or flop, they can't be accused of playing it safe. 

The real problem is that it's sort of a mess, with randomly inserted and characters whose actions inconsistently waver depending on how ridiculous the story needs to be at any given moment. But that's almost a silly complaint to lodge against a franchise that's always been about getting to the next gag at any expense, including quality. They're just especially blatant about it this time, with parodies flying at us a mile a minute as it spoofs every popular horror movie of the past five years and skewers a variety of hot button social issues. 

Now a paranoid recluse and alcoholic, Cindy Campbell (Anna Faris) is estranged from her two daughters when the youngest, Tuesday (Savannah Lee Nassif) is attacked by a recently resurfaced Ghostface killer.  Older sister Sara (Olivia Rose Keegan) and her boyfriend Jack (Cameron Scott Roberts) try to narrow down the suspects, getting help from Brenda's (Regina Hall) kids Brad (Gregg Wayans) and Dei (Sydney Park), Brad's girlfriend Elle (Ruby Snowber) and Sheriff Phillippe's (Lochlyn Monro) transgender son Jess (Benny Zielke). 

While at odds with pill popping daughter Sara, Cindy reunites with Brenda and Shorty (Marlon Wayans), convinced Ghostface is back to kill off the original legacy characters. And as the religious, churchgoing Brenda deals with husband Gay Ray's (Shawn Wayans) ambivalence about his homosexuality, original Ghostface and mentally challenged former deputy Doofy Gilmore (Dave Sheridan) reemerges, aiding Sara and the gang. But with the body count rapidly rising, everyone's a suspect.

What's most noticeable is how determined the Wayans are to go to those uncomfortable places that permeated the 2000's era spoof films, challenging the notion it still can't be done today. And it's a relief they're fully committed to the offensiveness considering this material is so wildly uneven that holding back would really sink it.  

The opening scene featuring Teyana Taylor as "herself" in the franchise's meta movie within a movie spoof immediately quells concerns, providing enough laughs to wish they'd continue along this trajectory. But as quickly as this occurs, the action immediately shifts to the actual story, with a plot that shares an outline with the latest batch of Scream sequels, right down to the terrorized sisters and suspicious boyfriend. 

Of course, all of this highlights the challenge of basing an entire series of films on spoofing an existing horror franchise that's already a self-referential parody of its own. As usual, the Wayans solve this problem by sending up everything else, whether it's Sinners, Smile, Weapons, Get Out, Terrifier, M3GAN, Longlegs, Wednesday, K-Pop Demon Hunters, The Substance and even Michael. The Substance spoof featuring a returning Cheri Oteri as the Courtney Cox-inspired reporter Gail Hailstorm is probably the funniest while multiple, oddly placed jabs at Sinners bomb, especially a lengthy church "conversion" scene with Gay Ray that overstays its welcome. 

Ironically, the film does best when tackling the riskiest material, such as the sheriff's interactions with trans son Jess, COVID or a train scene centered around the nonbinary, not so subtly named Dei's obsession with pronouns. It's when the plot has to move forward that this stalls, but that's nothing new for the franchise. Anyone labeling it a huge step down from the others or an affront to cinema may want to rewatch those to remind themselves how bad these can get. Or maybe not.

A returning Faris enters her grizzled Jamie Lee Curtis phase from the most recent Halloween trilogy, putting her own comedic spin on the drunk, mentally unstable, gun toting survivalist driven to insanity from the previous films' events. If there's a Final Girl, it's Sara, who Olivia Rose Keegan plays as over-the-top and in-your-face as possible, recognizing that the most appropriate performance in a Scary Movie sequel is always an intentionally bad one. Marlon Wayans takes a page out of that book as permanently baked high school student Shorty while Dave Sheridan's Doofy reverts to his original "special needs" incarnation, stepping back into his uniform as if it were yesterday.

Stumbling from one Ghostface scenario to the next with hardly a plot to speak of, director Michael Tiddes throws jokes at the wall to see what sticks. Probability dictates a bunch will, even as others fall flat in the span of a 96 minute running time that feels just a bit longer. The parodies that do hit tend to hit hard, and if they weren't directly followed by awkward character moments that slow the momentum, this could have been something. But by its end, the Wayans brothers seem just as bored seeing the legacy characters interact with these new faces as we are. And if that's the biggest takeaway, they might have a better understanding of this franchise than we thought.