Director: Gil Kenan
Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, McKenna Grace, Kumail Nanjiani, Patton Oswalt, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, William Atherton, Celeste O' Connor, Logan Kim, Emily Alyn Lind, James Acaster
Running Time: 115 min.
Rating: PG-13
★★½ (out of ★★★★)
We've been waiting so long for a true Ghostbusters sequel that when Afterlife finally arrived in 2021, it couldn't help but feel a little anticlimactic. With Jason Reitman taking the directorial reigns from his late father, a total overhaul wasn't just necessary, but inevitable, placing him in the difficult spot of rebooting this property with an entirely new plot and fresh characters. Now after mixed results, it earns another go-around with Frozen Empire, as co-writer Gil Kenan steps in, moving the story back to the city where everything started in 1984.
Reitman's decision to have the previous sequel focus on an Oklahoma based ghost busting team of Spengler grandchildren aided by their mom and science teacher seemed to please more fans than it offended. So even as legacy cast members were sidelined and its ending felt cribbed from the original, it still had enough moments to wipe away the bad taste of Paul Feig's 2016 attempt at reviving the franchise. But despite a familiarly nostalgic setting that does help alleviate certain creative issues, some of the same challenges persist, with the film struggling to utilize its packed cast in what should be a relatively simple, straightforward story.
Three years after the previous film's events, Callie Spengler (Carrie Coon) and boyfriend Gary Grooberson (Paul Rudd) have moved to New York City with her kids Trevor (Finn Wolfhard) and Phoebe (McKenna Grace) to help original Ghostbusters Winston (Ernie Hudson) and Ray (Dan Aykroyd) reestablish operations at the old firehouse location. As longtime nemesis turned mayor Walter Peck (William Atherton) looks to shut the business down and jail them for employing an underage Phoebe, she befriends teen ghost Melody
(Emily Alyn Lind) in the park, realizing they have
more in common than either assumed.
Meanwhile, a man named Nadeem Razmaadi (Kumail Nanjiani) claims to have inherited a strange brass artifact from his grandmother and convinces Ray to purchase it for his curiosities shop. But when the team discovers the mysterious orb houses the evil god Garraka, research reveals his release will lead to the recruitment of an undead army to freeze and conquer Earth. With this demon's sights set on the firehouse's ecto-containment unit, the Ghostbusters will need all hands on deck to save the city and world from complete annihilation.
Packing up and heading to NYC for the follow-up wasn't just an inspired idea, but a necessary one considering that's where this incarnation of the franchise belonged to begin with. Still, it's hard to begrudge Reitman for continuing the story he built around Egon's family, even if parent/teen team isn't exactly what fans envisioned as the next generation of Ghostbusters. Auxiliary players like Lucky (Celeste O' Connor) and Podcast (Logan Kim) are back, but more than a few others are added, like returning antagonist Peck and another classic favorite in Janine Melnitz (Annie Potts). That the latter's appearance feels more like a cameo is almost a foregone conclusion given everything Kenan and Reitman try to jam in.
Of the three originals, Akyroyd inexplicably has the largest, most involved role again, though he does well with what he's given. The underused Hudson and Bill Murray believably slide back into their suits, but it's clear they won't factor in until the climax. This is really about the Spenglers, with a script building on that dynamic and including enough callbacks to please fans, like Slimer and those mischievous Mini-Puft marshmallow men. As for the action sequences, they're mostly on par with its predecessor, which is to say they accomplish what's necessary.
If this demon Garraka looks and feels like it just stepped out of The Upside Down on Stranger Things, the film's also noticeably overstuffed with supporting characters and excess plot. Patton Oswalt's public librarian and James Acaster's Dr. Lars Pinfield (who oversees Winston's new paranormal research center) are superfluous additions while Kumail Nanjiani delivers the same comedic schtick he's been doing in every other project lately.
Exiled from the team and quietly rebelling from her family, Phoebe's bond with this droll, sarcastic spirit Melody is the film's most successful attempt at meaningful character development, as the relationship carries both positive and negative repercussions for the sensitive teen. Sincere enough that it's almost too dramatic for Ghostbusters movie, her arc is easily the best thing in the sequel, with much of that due to Grace's believable performance.
This installment comes closer to working by superficially invoking vibes similar to the original two. But it's also full of plusses and minuses that put it at or around the same level as Afterlife, if only slightly higher. The good news is that Reitman stepping aside wasn't the red flag many assumed since it's unlikely he could have done any better with this material than his replacement. Enjoyable enough, Frozen Empire is about as good as we're going to get right now, so at least that's something.
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