Showing posts with label 2001: A Space Odyssey. Show all posts
Showing posts with label 2001: A Space Odyssey. Show all posts

Tuesday, November 29, 2011

10 Movies That Could Be Re-Released in 3D

Note the title of this piece. The key word is"could," not necessarily "should." With the 3D craze in full swing with the recent successful re-release of The Lion King, and Titanic and Star Wars still on the way, more studios are jumping on the bandwagon, releasing and re-releasing every other film in three dimensions because they smell cash. And now even acclaimed directors like Steven Spielberg and Martin Scorsese are dipping their feet in the water (with The Adventures of Tintin and Hugo respectively) and and in the process maybe trying to lend the format more legitimacy. I have little doubt their motives are pure and the films may even be good, but what about us? We have to pay $15 to see it. I could care less if these guys are having a great time experimenting with the technology. It has to be worth it for audiences. At that steep price you REALLY have to show me something and even then I'm still not sure I'd be interested.

To date, I've only see one 3D movie in theaters, Tron: Legacy, which I enjoyed immensely for reasons that had more to do with its story and visuals. Re-watching it on blu-ray recently further solidified that opinion, but even when I first reviewed it I conceded the use of 3D technology was "defensible" due to the immersive nature of the story (i.e. being sucked into a computer program). This got me thinking what past titles could benefit from a 3D re-release. Of course, this still doesn't mean I'd consider seeing them, especially when I could just pop in the DVD at home, which is cheaper, not to mention a whole lot more comfortable. But in the following cases below (some obvious, others not) I can see where a 3D conversion and re-release in the format is more than just a cash grab, and even somewhat excusable for one reason or another. There's probably many more, but it's a start.


10. Citizen Kane (1941)
Though I've strangely never met a single person who holds this view, Orson Welles' Citizen Kane is widely regarded by many as "The Greatest Film Ever Made." Much, if not all, of that adoration comes from its groundbreaking technical achievements. With its deep focus photography, details in the foreground and background would really pop out in 3D, making it seemingly the perfect fit for the format. A re-release could also help shake its stodgy stigma as a homework assignment. It won't happen though. Supposedly Welles' dying wish was that his film not be colorized or tinkered with. This definitely qualifies as "tinkering." Even a full fledged remake seems likelier.



9. Crank 2: High Voltage (2009)
If ever a film was made for the format it's this. That's not to say the 2006 original (a superior effort) isn't, but the sequel takes everything the first did and jacks it up (remember the race track sex scene? the guy's head being kept alive?). It's more over-the-top, more nonsensical and more ridiculous, thus making it an even better fit for 3D. For some reason when I think back on the movie I remember it in 3D, which has always been the gift of the Crank series. So they may as well just go ahead and do it. With Crank 3D already in the works they should convert the first two and roll the trilogy into theaters together. That's something I might actually pay to see.  



8. Jurassic Park (1993)
Here's a no-brainer. Given the technology kick Spielberg's been on lately it wouldn't surprise me if it's the works already. Supposedly there are already plans to film the impending JP4 in 3D so a re-release of the 1993 original in this format is a definite possibility. And I'll admit it isn't a half-bad idea when you consider a T-Rex getting right in your face. As a theater experience it couldn't get much better than this. It's basically what 3D was created for.


7. Twister (1996)
Another no-brainer. I remember seeing this in the theater opening week and thinking nearly all of its impact would be diluted if seen on the small screen at home. As a story there really isn't much there (a bunch of scientists chasing tornadoes) but there doesn't need to be. A big effects movie of the highest order that would benefit immensely from a 3D conversion, literally taking you into the storm with debris, houses, trucks and cows flying right at you.



6. Inception (2010)
There were supposedly studio discussions with director Christopher Nolan about shooting this in 3D but he rejected the idea. While I can't say I disagree with his decision and the finished product was amazing, it could have worked. Would it have enhanced the experience? I'm not sure but down the line if they converted and re-released it the decision would at least make some sense. Like that year's Tron: Legacy, the narrative revolves around being transported into another world and you can't help but wonder how that extended sequence with Leonardo DiCaprio and Ellen Page would have played with those buildings and streets unfolding in your lap.


5. Enter The Void (2009)
Here's the only selection on the list where 3D technology can actually draw attention to an overlooked, difficult film that wouldn't get it otherwise, perhaps even improving its mainstream prospects. I'm betting very few people have even seen it and those who have are probably too traumatized by the experience to talk about it. Challenging and inaccessible beyond belief, Gasper Noe's 2009 psychedelic nightmare defies any sort of formal explanation. I still don't know what I think of it, but I do know it would look incredible in 3D. It's 2001's trippy Stargate sequence stetched over 2 hours, boasting some of the most awe-inspiring visual effects produced on an independent budget, and a first person P.O.V. that throws you head first into life, a death and beyond. A 3D conversion would only complete the process, taking you all the way in.


4. Speed Racer (2008)
While it has its few supporters, anyone who was able to sit through 2008's underwhelming Speed Racer will have to admit it got one big thing right: The visuals. 3D can give this critical and commercial flop a new lease on life with a fresh presentation that plays to its biggest (only?) strength. When watching it at the time I thought a 3D release was more than justifiable and still do. The question is whether it'll still be a mind numbing bore. There's no way to know for sure but this is the film's best chance at survival.

3. The Matrix (1999)
You knew this would show up on here. It had to. Of the films listed it's the most likely to happen. And I'm betting soon. As someone who's no fan of The Matrix at all and thinks it only offers impressive visual effects, it's of little surprise I'd offer it up as the perfect 3D conversion candidate. And if we're lucky maybe everyone will be so dazzled they'll forget how awful its two sequels are and they'll can convert those too. 3D will never fix the huge story flaws in the trilogy but it could get us so lost in the Matrix we'd at least maybe temporarily forgive them. Going in this direction could only result in improvement. 


2. The Wizard of Oz (1939)
Speaking of twisters. The wicked witch, the yellow brick road, flying monkeys, falling houses. It says a great deal about the quality of a film released in 1939 that it could be re-released today and the images and effects would benefit--and perhaps be enhanced-- by 3D. And that's not even taking into account the story, which also seems to be the perfect fit for this technology. It's yet another example of the viewer being transported to another world, making the use of the format defensible. The unforgettable transition from Kansas to Oz can now not only go from black and white to technicolor but from 2D to 3D. There's also that added bonus of getting to see a classic film we've experienced many times over in a whole new way. Should they do it? Of course not. But if they did, I'd have to at least acknowledge they picked the right movie to experiment on.



1. 2001: A Space Odyssey (1968)
The ultimate trip indeed. We absolutely shouldn't do this but there's no denying the temptation. And as much as I hate to admit it, there's no question this would work. Among films considered classics you're unlikely to find one that inspires as divisive a reaction. People either love this or hate it, and while I consider myself firmly in the former camp, it's possible what supporters appreciate most about Kubrick's classic will only be enhanced in 3D while naysayers' complaints (such as its pacing) would likely diminish. It doesn't "need" it since it's an  experience either way, but it would be nice if a glorious 3D presentation that accentuates even more of the film's visual strengths could sway those who never got on board. The Stargate sequence alone justifies the idea.

Thursday, June 21, 2007

Reaction to the AFI 100

Well, it's over. The American Film Institute has announced their 100 greatest movies of all-time and updated their previous decade old list to reflect "a changing cultural perspective." The expression "the more things change the more they stay the same" has never been more applicable than now because this list is practically identical to the one they put out a decade earlier with some minor changes, mostly negative. The good news is outside of two or three selections I thought were disgraceful, and one actor's mental breakdown, the show went better than I thought. But that's not saying much.

If one thing stood out it's that the AFI needs to move into the 21st century (or even late 20th). Some of their picks (especially toward the back of the list) were dated and the rankings were predictably all over the map, but that's the AFI for you. Overall, it wasn't horrible. The list skewed older, which I expected. That's why I used my last blog to highlight some newer titles I thought were worthy and unworthy of making it. I knew the classics I liked would be on there so I guess now is my chance to give you my opinion on some of those. So here's their "updated" 2007 Top 100 list. An asterisk indicates a new entry. My analysis follows.

1. Citizen Kane
2. The Godfather
3. Casablanca
4. Raging Bull
5. Singin' in the Rain
6. Gone with the Wind
7. Lawrence of Arabia
8. Schindler's List
9. Vertigo
10. The Wizard of Oz
11. City Lights
12. The Searchers
13. Star Wars
14. Psycho
15. 2001: A Space Odyssey
16. Sunset Boulevard
17. The Graduate
18. The General*
19. On the Waterfront
20. It's a Wonderful Life
21. Chinatown
22. Some Like It Hot
23. The Grapes of Wrath
24. E.T.
25. To Kill a Mockingbird
26. Mr. Smith Goes to Washington
27. High Noon
28. All About Eve
29. Double Indemnity
30. Apocalypse Now
31. The Maltese Falcon
32. The Godfather Part II
33. One Flew Over the Cuckoo Nest
34. Snow White and the Seven Dwarfs
35. Annie Hall
36. The Bridge on the River Kwai
37. The Best Years of Our Lives
38. The Treasure of the Sierra Madre
39. Dr. Strangelove
40. The Sound of Music
41. King Kong
42. Bonnie and Clyde
43. Midnight Cowboy
44. The Philadelphia Story
45. Shane
46. It Happened One Night
47. A Streetcar Named Desire
48. Rear Window
49. Intolerance*
50. The Lord of the Rings: The Fellowship of the Ring
51. West Side Story
52. Taxi Driver
53. The Deer Hunter
54. M*A*S*H
55. North by Northwest
56. Jaws
57. Rocky
58. The Gold Rush
59. Nashville*
60. Duck Soup
61. Sullivan's Travels*
62. American Graffiti
63. Cabaret*
64. Network
65. The African Queen
66. Raiders of the Lost Ark
67. Who's Afraid of Virginia Woolf?*
68. Unforgiven
69. Tootsie
70. A Clockwork Orange
71. Saving Private Ryan
72. The Shawshank Redemption*
73. Butch Cassidy and the Sundance Kid
74. The Silence of the Lambs
75. In the Heat of the Night*
76. Forrest Gump
77. All the President's Men*
78. Modern Times
79. The Wild Bunch
80. The Apartment
81. Spartacus*
82. Sunrise*
83. Titanic*
84. Easy Rider
85. A Night at the Opera*
86. Platoon
87. 12 Angry Men*
88. Bringing Up Baby
89. The Sixth Sense*
90. Swing Time*
91. Sophie's Choice*
92. Goodfellas
93. The French Connection
94. Pulp Fiction
95. The Last Picture Show*
96. Do the Right Thing*
97. Blade Runner*
98. Yankee Doodle Dandy
99. Toy Story*
100. Ben-Hur

90-100: So far, so good. It feels right for Toy Story (99), Blade Runner (97) and Do The Right Thing (96) to be where they're at. I'm glad The Last Picture Show (95) made it. I really like that film. But wait…why the hell is Pulp Fiction only ranked 94th?!!! And why is M. Night Shayamalan being advertised in the opening credits. Oh no. Oh...no.
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80-90: Everyone will be upset Goodfellas is at 92. I'm not that big a fan so I don't have a problem with it. What follows I do. In a move that likely sent everyone who read my blog Tuesday into hysterical laughter (or tears) The Sixth Sense (89) not only made the list, IT RANKED HIGHER THAN PULP FICTION!!! Shayamalan must have some very incriminating photos of AFI jurors. But hey, at least we got our huge injustice out of the way early and they didn't spoil its twist ending. Don't wory though, they'll take care of that with another film later. I'm sorry but I do think Titanic (83) deserves a spot and it is ranked low (but also higher than Pulp Fiction!) so no one can complain…at least too much. I will admit their video package made Titanic look silier than I remembered. In the clips DiCaprio looks really young and I have to say Winslet looks much better now. Just an observation.
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70-80:I had a feeling All The President's Men (77) would be showing up around now even though it's a new entry. Sorry again, but I think Forrest Gump (76) belongs on the list, even if its placement is way off. The clip reminds us how great Alan Silvestri's score for that film was. However The Shawshank Redemption (72) and A Clockwork Orange (70) should be ranked WAY higher than they are. You could make a case for top 20 or 30 for either. I'm not a huge fan of Saving Private Ryan (71) but I recognize its historical significance. They get a pass from me on that one.
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60-70: Here comes the second batch of fireworks for the evening with Tootsie coming in at 69, or should I say coming in at all. I was going rant about how bad a selection it would be in my last blog but I figured it was a thankless cause. They put it on last time and I thought they'd do it again. I was right, but hey at least it dropped 7 spots. That's not the bad part though. The bad part was Dustin Hoffman's "interview" which saw him burst into tears over the film's importance and deep message. Yes, this on a show that contains films like Schindler's List. I respect Hoffman a lot as an actor, but this weirded me out. Raiders of the Lost Ark at 66-applause. Network at 64-more applause.
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50-60: I love Robert Altman's Nashville (59) and M*A*S*H (54) and I wouldn't complain if they were higher. No one will like Rocky coming in at 57 but I say it's lucky it made the list at all. Is it me or have the visual effects and in North by Northwest (55) not aged well at all? Now here's where we're starting to get some really big titles. Taxi Driver (52) is ranked too low and should be the highest Scorsese picture on here. Higher than Raging Bull which makes a way too high appearance later. Stay tuned for that one. The Deer Hunter (53) could also be bumped up a little, not much. Jaws feels about right at 56.
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40-50: We have our first 21st century appearance on the list with The Lord of the Rings: The Fellowship of the Ring at 50. It figures they picked the recent film that has the oldest Hollywood feel to it. It doesn't seem out of place though. Next is the oldest with Intolerance at 49. This is what I'm talking about when I said they need to move forward and some of their picks are dated. Is this movie from 1916 even available anywhere? There have been better movies since the early 1900's, AFI. It's okay to admit it. Rear Window (48) is my favorite Hitchcock film. Midnight Cowboy (43) you could argue is top 10 or 20 material. Halle Berry is interviewed for Bonnie and Clyde (42). Speaking of numbers, I can't believe she's 40. Wow. And she's right it's is an awesome movie. Anyone who hasn't seen it should.
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30-40: Dr. Strangelove (39) really fell from last time. 13 spots. I guess something had to, but I could think of others on here more deserving of that huge a drop. Annie Hall, though dated by today standards, was really the first romantic comedy and a huge influence but it's still too high at 35, refecting the AFI's safety first policy. The Godfather Part II held steady at 32 but for some reason I remember it being higher the first time around. I love Apocalypse Now (30) and I really wanted to see it crack to top 10. And this coming from someone who isn't a big fan of war films.
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20-30: Remember my complaint about dated picks? Well, To Kill A Mockingbird (25) is NOT one of them. But that doesn't mean I wouldn't have liked anything else I mentioned to take its spot. I kind of get my wish as Cameron Crowe appears for an interview, but unfortunately it's to talk about the overrated Some Like It Hot (22). Is the AFI obsessed with cross-dressing films? Everyone will think E.T. is ranked too high at 24, and while I think certain films below it should be ranked higher, I'm glad it came in where it did. It's my personal favorite Spielberg film and this is the kind of pick I wish there would be more of on this list. After watching the clip of it I became even more convinced. Which begs the question: Why can't Spielberg make imaginative films like this anymore? I had to write an essay on The Grapes of Wrath (23) in high school, which was difficult since I fell asleep in class during the film.
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10-20: I would say Chinatown (21) should be higher but we're in the top 20 now so it's tough to make that argument anymore. The field's crowded at the top and competition is fierce. On The Waterfront (19) dropped 11 spots but I don't think it's top 20 material and wouldn't mind if it fell further. Some people (Roger Ebert included) think The Graduate (17) is massively overrated. They may be happy it dropped out of the top 10. I think it's slightly overrated and still ranked too high. In the AFI's defense, if 2001: A Space Odyssey was number 2 I'd still say it wasn't ranked high enough. That said it should be in the top 5 and Star Wars (13), would have never been made if not for Kubrick's masterpeice. And hey, where's The Empire Strikes Back? Spielberg is interviewed and compares Psycho (14) to The Sixth Sense. Excuse me while I throw up.
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1-10: Morgan Freeman tells us only one film in the top 10 is in the same spot it was a decade ago. Gee, what do you think that could be? My problems with the top 10 are minimal (I mean they're all at least worthy, except Singin' in the Rain) but I have one question: Did Raging Bull (4) take on some new kind of cultural significance this past decade and I missed the memo? It's a great film but its 20 spot jump into the fourth position is laughably extreme. I also think Schindler's List (8) is too high, but that's at least understandable. It's an important film. I do question whether all this praise for Citizen Kane (1) is doing more harm than good to the movie at this point. It's giving the film an intimidating reputation, which may drive casual viewers away. That would be a shame because it is really is good. It also doesn't help that the AFI feels obligated once again TO SPOIL THE ENDING OF THE FILM for those who haven't seen it. And that's more people than you think. They won't be rushing out to buy it now.
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So what's the key to getting your film on the AFI 100? Make sure it's not made within the past 2 or 3 decades. I appreciate that they want to expose the audience to older films, and as expected the special was well done, but it wouldn't hurt if they took a broader, less snobbish view toward films. The Sixth Sense isn't a bad film at all but its inclusion came off even more ridiculous than I thought it would because outside of Saving Private Ryan and The Lord of the Rings it was the only fairly modern movie on the list. However, I don't think it was the worst choice overall (that prize goes to Tootsie). Some films that made it 10 years ago that were wrongfully excluded this go around were: Dr. Zhivago, Fantasia, Rebel Without A Cause, Close Encounters Of The Third Kind, Fargo, Patton, The Manchurian Candidate.

But really…it's tough to get too upset. This isn't a definitive list of any kind. No list is. It's just their opinions and questionable ones at that. We all know our favorite films and we'll always have them whether they show up on the AFI 100 or not.