Smile 2

Director: Parker Finn
Starring: Naomi Scott, Rosemarie DeWitt, Lukas Gage, Miles Gutierrez-Riley, Peter Jacobson, Ray Nicholson, Dylan Gelula, Raúl Castillo, Kyle Gallner
Running Time: 127 min.
Rating: R

★★★ (out of ★★★★)  

At the very least, Smile 2 deserves credit for not taking the predictable route in sequeling 2022's sleeper horror hit. And even while going through the paces required in continuing its concept, writer/director Parker Finn still crafts an ambitious follow-up uninterested in rehashing familiar ground. That the same filmmaker is attached comes as a surprise since this is a far slower burn, more absorbed in exploring the psychological ramifications of its premise. But maybe the bigger question is how an admittedly tremendous lead performance would be received if this wasn't a horror sequel, or at least not marketed as one.

Playing a major celebrity pushed into the public eye like a money making wind-up doll as she battles addiction and PTSD, Charlie's Angels and Aladdin actress Naomi Scott is the reason to see this. In humanizing a singer who should seem out of reach to even her most obsessed fans, the character's fractured psyche becomes a disturbingly uncomfortable place to reside, with Finn visually and narratively upping his game with this entry. There's still this feeling that if the first film didn't exist and certain supernatural tropes were discarded, it might play better, but not by much. Once we get past its wild and messy third act, even the prospect of a third installment suddenly doesn't seem like such a bad idea.

Six days after being infected by the Smile curse by a now deceased Rose Cotter (Sosie Bacon), police officer Joel (Kyle Gallner) frantically tries to pass it on, targeting a lowlife criminal. But when drug dealer Lewis Fregoli (Lukas Gage) unexpectedly bares witness to the murder, he's infected with the Entity before getting a visit from pop star Skye Riley (Scott). In search of Vicodin for lingering pain caused by a car crash that killed her actor boyfriend Paul Hudson (Ray Nicholson, channeling his dad's iconic grin), she finds a violently uncontrollable Lewis, from whom she contracts the parasite.

Skye's infected just as she embarks on a comeback tour orchestrated by her controlling manager mom Elizabeth (Rosemarie DeWitt). Struggling to stay sober after a very public battle with substance abuse, her mental health further spirals as she's plagued by nightmarish visions, sinisterly smiling strangers and an inability to distinguish dreams from reality. With only estranged friend Gemma (Dylan Gelula) to rely on, Skye's running out of time, until a mysterious man contacts her claiming he has a plan to stop the curse. The problem is whether she can survive it. 

After a gripping opening that picks up directly where the last film left off and shares some stylistic similarities with this year's Longlegs, we're immersed in Skye's troubled world, which is about to be turned upside down. But not before the first entry's central premise of passing the curse is reinforced with devastating results. That she's at her dealer's apartment is bad enough, but what she catches there is worse, especially since her mental stability is shaky enough that those closest to her can easily write these scary symptoms off as another relapse. 

Still harboring guilt over her boyfriend's death and coming off surgery and a stint in rehab, Skye's run into the ground by domineering, money hungry mom Elizabeth, who refuses to cancel the tour regardless of the harm it's causing. In early scenes, we see the mental and physical toll this takes on Skye as she soldiers through the pain during rehearsal, constantly guzzling bottles of Voss water to calm her nerves. It barely works, especially when creepy looking fans start showing up and hallucinations take over, the most unnerving of which involves a stalker who invades her apartment. 

Skye's fragile state prevents her from distinguishing reality from illusion, and after a while, neither can we. It's a clever approach, raising the stakes of the original, but feeling different enough to bare little resemblance at all. Scott carries this, shatteringly believable as both a huge star and recovering addict at the end of her rope. There's just an authenticity to how she acts, looks, sings and even moves that's layers beyond what we usually get from actors portraying fictitious celebrities. 

With the Entity taking hold and outside pressure on Skye ramping up, Scott's grueling performance really shifts into overdrive. Her character's appearance at a charity event stands as the film's centerpiece, resulting in the parasite's most damaging, publicly humiliating takeover yet. When it becomes clear her frigid stage mom's primary concern will always be dollar signs, Skye turns to ex-friend Gemma, but even that relationship isn't what it seems anymore.

The final act flies off the rails in ways both good and bad since Finn can only blur reality for so long until repetitiveness kicks in. Skye must confront her own past head-on, taking part in a dangerous, last ditch effort to rid herself of the curse. That the closing sequence draws comparisons to the vastly superior The Substance is just unfortunate timing, but Smile 2 earns its stripes by giving us an intriguing character study to accompany the thrills. And despite an unfair tendency to dismiss genre turns like these, it's hard to ignore Naomi Scott's emotionally exhausting turn as a pop star on the brink of a breakdown.                                                    

Dream Scenario

Director: Kristoffer Borgli
Starring: Nicolas Cage, Julianne Nicholson, Michael Cera, Tim Meadows, Dylan Gelula, Dylan Baker, Kate Berlant, Lily Bird, Jessica Clement, Marnie McPhail-Diamond, Paula Bondreau, Noah Centineo
Running Time: 100 min.
Rating: R

★★★ (out of ★★★★)

Nicolas Cage has taken on so many wild roles over the past decade it's easy to forget just how skilled he is at inhabiting average, everyday people trapped in circumstances beyond their control. In writer/director Kristoffer Borgli's black comedy Dream Scenario, we're reminded, which isn't to say Cage's bland, middle-aged protagonist doesn't have his fair share of quirks and eccentricities. But for the most part, he's almost painfully normal. At least until stumbling upon overnight fame for a really unusual reason, creating far more problems than it solves.  

In asking viewers to consider how they'd endure a similar situation, most of the film's surprises come from unfamiliar places. He might be the butt of the joke, but it's likely most couldn't handle things any better, as this sci-fi fantasy morphs into an existential nightmare that offers a scathing social commentary about the cost of fame. Once the public starts projecting their own ideas of him into the world, we get a story that wouldn't seem out of place in The Twilight Zone. And at its center is Cage, who isn't playing the agent of chaos this time, but its unsuspectingly hapless victim.

Socially awkward, mild-mannered biology professor Paul Matthews (Cage) can't seem to catch a break. An adjunct at a local university, his lectures on zebras bore students while his supportive wife Janet (Julianne Nicholson) and daughters Sophie (Lily Bird) and Hannah (Jessica Clement) roll their eyes at him. Desperately wanting to be published, the timid Paul halfheartedly confronts a former colleague (Paula Bondreau) over an allegedly stolen idea before encountering ex-girlfriend Claire (Marnie McPhail-Diamond), who confesses he's been inexplicably appearing in her dreams. 

After Paul grants Claire permission to write about these dreams for an article, strangers start coming out of the woodwork claiming to recognize him from their dreams. As his celebrity profile rises, he hires a forward thinking PR firm to help manage his suddenly limitless opportunities. But when everyone's dreams turn increasingly violent and sinister, an angry, unsympathetic public blame Paul, making him their number one target.

The one thing all these dreams (cleverly referred to as a "collective Mandela Effect") have in common is that this bearded, balding man's walk through role in them is limited to passive observance, no matter how dire or outrageous the situation. While irked by how closely that resembles his actual tendencies, there's still a large part of him enjoying the newfound fame, with the best scenes revolving around how his undersized personality conflicts with it. Previously defined by a small, anonymous existence, this strange phenomenon makes his world a whole lot bigger, flipping whatever life he had upside down. 

Paul's lectures are now not only well attended, but exciting, with students eager to pick the brain of the world's most recognizable face. But the gap between Paul's desires and people's expectations grow, most noticeably in his interactions with goofy, people pleasing public relations CEO Trent (Michael Cera) and the firm's smitten assistant Molly (Dylan Gelula) who becomes obsessed with recreating her explicit dreams of Paul, to disastrous results.

Paul becomes sort of an everyman symbol society can embrace until these dreams turn to nightmares. But what's most astonishing is just how far the script goes with this, depicting a cancel culture catastrophe where popularity hinges on fans' fickle whims. Their dreams aren't "real," but they're still emotional triggers, representing at least some piece of them or they view reality.

Borgli's even more interested in the concept of entering someone else's consciousness, culminating in a great visual payoff involving Paul's marriage that's as strangely moving as it is comical. There's also a heavy emphasis on how his plight connects to the ethical conundrum surrounding dream technology. If there's any drawback, it's that the film sometimes trips over itself in the delivery, unsure how to get this all out. Still, there are deep ideas in here that make a good enough case for subsequent viewings.    

Playing an introverted, unassuming professor battling perceptions of his more dangerous nocturnal counterpart, there are definite echoes of Cage's work in Charlie Kauffman's Adaptation, with the actor again proving why he's an ideal fit for off-the-wall parts that amount to more than they first appear. And given how he's resisted critics and audiences placing him in a box throughout his career, it's only appropriate he's playing someone trapped in such a predicament. But with as much to say about us as his embattled character, Dream Scenario rarely backs down when it comes to exploring the full ramifications of its oddball premise.