Creators: Ashley Lyle and Bart Nickerson
Starring: Melanie Lynskey, Tawny Cypress, Christina Ricci, Simone Kessell, Sophie Nélisse, Jasmin Savoy Brown, Sophie Thatcher, Samantha Hanratty, Steven Krueger, Warren Kole, Courtney Eaton, Liv Hewson, Kevin Alves, Lauren Ambrose, Sarah Desjardins, Ella Purnell, Nia Sondaya, Alexa Barajas, Elijah Wood, Hilary Swank, Ashley Sutton, Nelson Franklin, Joel McHale
Original Airdate: 2025
**The Following Review Contains Plot Spoilers For The First Three Seasons Of 'Yellowjackets' **
★★★ ½ (out of ★★★★)
There comes a point in nearly every cult mystery series where all the groundwork's been laid and fans demand answers, maybe assuming its writers have run dry of ideas. Then comes the big twist, completely altering the trajectory of the story and causing viewers to rethink what came before. For Lost, this happened in its third season finale, "Through the Looking Glass," when an infamous line of dialogue reveals a possibility we never considered.
A similar shock comes in Yellowjackets' third season episode, "Thanksgiving (Canada)" when the missing Wyskayok High School girls soccer team's disturbing wilderness celebration is interrupted by three unknown visitors as a seemingly promising surprise leads to violence and volatility. No longer the same people they were when that plane crashed, the issue is less getting home than how many still want to.Whether you believe the wilderness has a "plan" or it's all just a reflection of their own fractured psyches, they're no longer a team, friends or even really a collective tribe. We know they'll be rescued, but as Craig Wedren and Anna Waronker's grungy opening theme makes clear, there's still "No Return," for those who make it back. And from its start, the show's played fast and loose with certain details, as doubt and plausible deniability continue to surround these characters' fates.
It's spring 1997 and after a cabin fire that left the team without shelter, newly anointed leader Natalie (Sophie Thatcher) and the rest of the Yellowjackets have built a new camp. This while accused arsonist Coach Ben (Steven Krueger) is still on the loose and a fuming Shauna (Sophie Nélisse) continues to emotionally unravel after losing her baby and best friend Jackie (Ella Purnell).
Forming a toxic bond with the clingy Melissa (Jenna Burgess) Shauna channels her rage toward rival Mari (Alexa Barajas) and Ben, who Natalie and Misty (Samantha Hanratty) suspect could be innocent. Meanwhile, Spiritual guru Lottie (Courtney Eaton) continues to hear voices and see visions, recruiting Travis (Kevin Alves) and Akilah (Nia Sondaya) to help decipher the wilderness's messages. But a shocking arrival causes battle lines to be drawn, forcing inseparable couple Taissa (Jasmin Savoy Brown) and Van (Liv Hewson) to take sides.In 2021, the group is grieving Natalie's (Juliette Lewis) accidental death at the hands of an inconsolable Misty (Christina Ricci), who starts hitting the bottle and rejects quirky boyfriend Walter's (Elijah Wood) attempts to help. But when an unhinged Shauna (Melanie Lynskey) suspects she's being anonymously stalked, the surviving Yellowjackets, her husband Jeff (Warren Kole) and daughter Callie (Sarah Desjardins) become increasingly concerned. Looking for answers from surprise houseguest Lottie (Simone Kessell), Callie intercepts a tape intended for her mom, the mysterious contents of which can ruin them all. And as Taissa (Tawny Cypress) and Van (Lauren Ambrose) struggle with the latter's deteriorating health, Shauna confronts a familiar face from the past.
Everything this season revolves around Shauna Shipman. While she was never the portrait of mental stability or even a well adjusted wife and parent, that was expected given what happened 25 years earlier. And if it was ever a time to view the cannibalism within the context of their dire circumstances, it's long passed. Something happened to them out there, and whether it's in their heads or related to the wilderness's metaphysical hold is irrelevant. All that matters is how far they've fallen.
We've seen Shauna's need for control, but the loss of her baby last season has caused her to unleash a torrent of mental and physical abuse on her tribemates. Bloodthirsty and sadistic, she loves what she's become, mainly because it's the antithesis of what she was before.
Respected, hated, feared and a leader, Shauna's somebody now, even if that evolution comes at the highest cost. And Sophie Nélisse is ferocious in this role, commanding the screen when plotting in silence with a nasty glare or barking orders at the top of her lungs. It's also an ideal compliment to Lynskey's performance in the later timeline, as both actresses subtly incorporating the other's more definable characteristics, even in their quietest scenes.
Shauna's worst qualities take center stage when Ben's brought back to camp and put on trial for a crime everyone seems to know he didn't commit. That rigged system leads to the season's most intriguing monologue, as the exasperated, one legged assistant coach pleads for his life. With corrupted sidekick Melissa by her side, Shauna tips the scales of justice with the ultimate power play, even as Lottie believes he holds a greater purpose in somehow facilitating their path home. But the torment he suffers only has him wishing he went sooner, sparing him the knowledge that these girls he once coached are unrecognizable from the sociopaths they've become.
Despite a pallor of tragedy hanging over the principal players, the 2021 timeline initially boasts a looser, more comedic tone that can partially be attributed to Christina Ricci's continued brilliance as the wacky, obsessive Misty. Her boyfriend and fellow citizen detective Walter is right in questioning why she's letting these "friends" use her, but the real fun comes when Misty gradually reaches that same conclusion, particularly when it comes to Shauna. Manufacturing problems for thrills and excitement's sake, even Callie and Jeff can't stand her anymore, recognizing the danger she's put them in.
Last season's MVP Sarah Desjardins again impresses as Callie, who forms a strange, parasitic bond with Lottie to learn more about her mom's past. But it's Lottie who senses something stronger inside Callie, and whether that's her mental illness talking, what we've seen so far still seems to confirm it.Callie's definitely her mother's daughter, accompanied by all the baggage that lineage entails, dating back to what happened in those woods. The tape Shauna's threatened with holds the answers, even as Taissa's demonic side reemerges, taking desperate measures to buy a dying Van more time. Between her disturbing visions and continued obsession with sacrifice, she joins the rest in knowing she'll never feel or be "normal."
Aside from how late in the game she arrives, what's most surprising about two-time Academy Award winner Hilary Swank's turn as Melissa are the ramifications of her face-to-face reunion with Shauna. Certain Melissa's behind the tape and Lottie's murder, Shauna's approach sure isn't subtle, making for the season's most suspenseful showdown, intrinsically tied to everything we've seen occur in the past timeline. Swank's only in two episodes, but she makes them count, causing us to constantly second guess Melissa's true motivations.
The episode "Croak" serves as a huge departure, using its first 20 minutes to focus entirely on frog scientists Edwin (Nelson Franklin) and Hannah (Ashley Sutton) and their survivalist guide Kodiak (Joel McHale). After exploring their purpose and personalities, we'll see how the strangers stumble upon the Yellowjackets' cannibalistic feast, where Lottie's impulsive actions set in motion their eventual imprisonment and deaths. They'll be seen less as lifelines than witnesses capable of spilling the girls' darkest misdeeds to the outside world, exposing them as a murderous cult.
That development takes the story where it was foreshadowed to go since the pilot, when we wildly speculated on the identities of Pit Girl and Antler Queen. Both are revealed as this feuding tribe splits in two, with only a maniacal Shauna standing in the way of those ready to leave, terrified of relinquishing power and returning to her old life. But while we already know captive researcher Hannah's ultimate fate, she still holds the cards as a pivotal new figure, ingratiating herself into the tribe for a shot at survival, and seeing her daughter again. Instead, she'll pass along the damning evidence that haunts the Yellowjackets decades later.The longstanding love-hate relationship between Natalie and Misty is given new context in the aptly titled finale, "Full Circle," adding poignancy and context to the tragedy that concluded last season. And if Juliette Lewis' departure left a hole, Ambrose's Van meets a similarly tragic end, culminating in another powerful dream sequence that features both Ambrose and Hewson sharing the screen.
All those allusions to Natalie being responsible for getting them home are starting to play out as we approach the home stretch, with Thatcher skillfully shouldering the weight left in Lewis' absence and solidifying herself as the show's lynchpin opposite Nélisse. And in a series known for its inspired 90's needle drops, they save their best for last when Natalie makes it to the top of that cliff with satellite phone in hand, frantically hoping to hear a voice on the other end.
With rescue suddenly feeling closer than ever, it would be a massive disappointment if this series somehow wasn't granted the chance to complete a story that hasn't peaked. But even while confusion over this Showtime/Paramount streaming situation and the questionable availability of rapidly rising stars like Thatcher present logistical challenges for renewal, neither seem insurmountable.What sets this apart from any current drama is
creators Ashley Lyle and Bart Nickerson's ability to make the tough decisions, as proven by a death toll that reaches alarming new heights this season. For better or worse, and to fans' occasional frustration, no
one's ever safe. But for all the obstacles facing the series as it winds down, it remains one of TV's most addictive shows, primed to cross the finish line as something more than just a giant "what if.."
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